In modern-day New York, Derek
Jacobi arrives at a theatre where he delivers a monologue questioning the
lack of manuscript writings of William Shakespeare, despite the undeniable fact
that he is the most performed playwright of all time. Ben Jonson is
preparing to enter the stage. The narrator offers to take the viewers into a
different story behind the origin of Shakespeare's plays: "one of quills
and swords, of power and betrayal, of a stage conquered and a throne
lost."
Jumping to Elizabethan London,
Ben Jonson is running through the streets carrying a parcel and being pursued
by soldiers. He enters the theatre called The Rose and hides the
manuscripts he carries as the soldiers set fire to the theatre. Ben is detained
at the Tower of London to face the questioning of puritanical Robert
Cecil. The writings by Edward de Vere that Robert Cecil thought Ben had are not
found on him.
In a flashback of five years, an
adult Edward lives, disgraced and banished from court, in the last years of the
reign of Queen Elizabeth I. The queen is old and in failing health, but, as she
has remained unmarried, lacks an heir. The elderly Lord William Cecil, the
Queen's primary adviser, and his son Robert manage the kingdom's affairs. A
growing group of malcontent nobles gather at court, led by Robert
Devereux, 2nd Earl of Essex, who is widely believed to be Elizabeth's bastard
son. The Cecils have secretly been planning to solve the succession crisis by
offering the crown to Elizabeth's cousin, King James VI of Scotland; the
idea of a foreign king inheriting the crown of the Tudors angers enough nobles
that they begin to muster support for Essex to claim the throne when Elizabeth
dies. Edward's young friend, Henry Wriothesley, 3rd Earl of Southampton,
is pledged to support Essex but Edward warns him against any rash action and
that any move they make has to be managed carefully to avoid civil war.
When Edward and Henry visit a
public theatre to see a play written by Ben Jonson, Edward witnesses how a play
can sway people, and thinks that it can be used to thwart the influence of the
Cecils, who as devout Puritans reject theatre as the 'worship of
false idols', with Queen Elizabeth concerning her successor. After the Cecils declare
Ben's play illegal and arrest him, Edward arranges for his release and
instructs him to stage a play he wrote and act as the author. The play, Henry
V, galvanizes the people and even Ben, who had contemptuously dismissed
Edward's skill as a writer as the passing fancy of a bored nobleman, is
impressed. At curtain call, however, William Shakespeare, an actor and
"drunken oaf", steps forward to be recognized as the author of the
play.
Elizabeth accepts a gift that
evokes a memory from forty years before, when the boy, Edward, performed in his
own play, A Midsummer Night's Dream, as Puck. After the elder
Earl of Oxford's death, the teenage Edward is entrusted as a ward to William
Cecil and must write his plays secretly to avoid his guardian's ire. During
this time, Edward kills a spying servant who had discovered his plays. William
Cecil covers up the incident but forces Edward into a marriage with his
daughter, Anne. However, Edward is infatuated with the queen and, after a
brief time living on the continent, he begins an affair with Elizabeth. When
the queen discovers she is pregnant with Edward's child, she tells William of
her intention to marry him but he dissuades her and arranges for the child to
be fostered into a noble family, as they had done in the past with Elizabeth's
other bastards. Elizabeth ends her affair with Edward without telling him why.
Angered, he has an affair with a lady-in-waiting to Elizabeth and learns from
her that he had fathered a child with the Queen. When Elizabeth learns of the
affair, Edward is banished from court but not before learning the name of his
illegitimate child: Henry Wriothesley, 3rd Earl of Southampton.
Back in the adult Edward's time,
despite Shakespeare's claim to his plays, Edward continues to provide Ben with
plays which quickly become the thrill of London. Despite their unhappiness at
the plays' popularity, the Cecils do not outlaw them because they fear the mob
which might occur if they do. Ben becomes increasingly frustrated with his role
as Edward's messenger and his own inability to match the brilliance of his
plays. Later on, Shakespeare discovers that Edward is the real author and
extorts him for money. He orders the construction of the Globe Theatre,
where he bans Jonson's works from being performed, and claims Edward's plays as
his own. Christopher Marlowe discovers Shakespeare's deal, and is
later found with his throat slit. Jonson confronts Shakespeare and accuses him
of murder. Edward and Essex, seeking to reduce Cecil's influence and to secure
Essex's claim to succession, decide to force their way into the palace, against
Cecil's wishes. Edward writes the play Richard III in order to
incite hatred against Cecil and to summon a mob of Essex's supporters.
Simultaneously, he would gain access to Elizabeth by sending her Venus
and Adonis.
The plan is set to fail when a
bitter Ben, angered by what he perceives as his own inadequacy as a writer and
Shakespeare's unearned success, betrays the plan to Robert Cecil by informing
him that Richard III will be played as a hunchback, a reference to Robert
Cecil's own deformity. The mob is stopped at the Bridge, and Robert Devereux
and Henry surrender in the palace courtyard when the soldiers fire on them from
the parapet. Robert Cecil tells Edward that Elizabeth has had other
illegitimate children, the first of whom was born during the reign of Bloody
Mary when she was only sixteen and a virtual prisoner of her sister.
William Cecil, already close to the future queen, hid the child and passed him
off as the son of the Earl of Oxford, revealing Edward's parentage to him: he
is the first of Elizabeth's bastard children. Horrified by the failure of his
plan for the succession, the expected execution of his son and the knowledge
that he committed incest with his own mother, Edward nevertheless visits the
Queen in a private audience to beg her to spare Henry. Elizabeth agrees to
spare Henry, but insists that Edward remain anonymous as the true author of
"Shakespeare's" works. Henry is released while Essex is executed for
his treason.
After Elizabeth's death, James of
Scotland succeeds as James I of England and retains Robert Cecil as his primary
adviser. On his deathbed, Edward entrusts a parcel full of his writings to Ben
to keep them away from the royal family. Ben at first refuses the task and
confesses to Edward that he betrayed him to the Cecils. In an unexpected
heart-to-heart between the two playwrights, Edward admits that, whenever he had
heard the applause for his plays, he had always known they were celebrating another
man but that he had always wanted to gain Ben's approval, as he had been the
only one to know that he had been the author of the plays. Ben admits that he
considers Edward to be the 'Soul of the Age' and promises to protect the plays
and publish them when the time is right.
After Edward's death, Ben's
interrogation ends when he tells Robert Cecil hears that the Rose has been
destroyed by fire and he had hidden the plays inside. As he is released, Robert
instructs Ben to better Edward and wipe his memory from the world. Ben tells
him that he would if he could but that it was impossible to do. Miraculously,
Ben finds the manuscripts where he hid them in the ruins of the Rose. At a
performance of a "Shakespeare" play performed at court, James I
remarks to a visibly unhappy Robert that he is an avid theatre goer.
Returning to the present day
theatre, the narrator concludes the story by revealing the characters' fates:
Robert Cecil remained the King's most trusted advisor, but never succeeded in
banishing Edward's plays. Shakespeare did not remain in London, but returned to
his hometown of Stratford upon Avon where he spent his last remaining
years as a businessman. Ben would achieve his dream and became the first Poet
Laureate, and would later write the introduction to the collected works
purported to be authored by William Shakespeare. Although the story ends with
the fate of its characters, the narrator proclaims that the poet who wrote
these works, whether it be Shakespeare or another, had not seen the end of
their story, and that "his monument is ever-living, made not of stone but
of verse, and it shall be remembered ... as long as words are made of
breath and breath of life."

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